Ronan Bouroullec’s first solo exhibition, “Résonance”, debuts in Paris
Open until September 23, 2024, at Centre Pompidou, the exhibition previews some exclusive products developed by the artist for Mutina.
Open until September 23, 2024, at Centre Pompidou, the exhibition previews some exclusive products developed by the artist for Mutina.
The sportswear garment, loved by artists and musicians including David Hockney, Mick Jagger and Kanye West, has turned into a design staple. Here’s how it continuously reinvents itself while retaining the charme of a classic.
In 1986 a major exhibition in Milan was dedicated to Bruno Munari, the Italian father of good design; on that occasion his son Alberto, a psychologist, took over our pages to “question” his father about childhood, art, creativity, and life.
Now you can share your work through a new function by Domus where you can upload your architecture, design, interior, graphics, illustration, photography and art projects.
Near Shanghai Foster + Partners designs the Xicen Science and Technology Centre, a mixed-use urban development on the Chinese coast.
Proceeding in stages and involving locals: Asa Studio’s proven method is at the service of educational innovation.
Higashi-Shirahige epitomizes Japan’s unique approach to disaster prevention. Built back in the 80s, it serves as a fire-breaking barrier, symbolizing extreme preparedness.
“Bruno Munari. Tutto.”, featuring 250 works by the master – including design objects, graphics, and pedagogical studies – will immerse us in his imaginative universe.
Here’s how ZHA uses digitisation to extend and update traditional architectural knowledge by promoting circular and sustainable design of buildings and cities.
314 Architecture Studio joins the rich cast of firms that will reshape the coast of the Greek capital city through an ambitious urban regeneration project.
On March 15th, 44 B.C., Julius Caesar died: his assassination was revisited in the history of art during the Neoclassical period, in the works of Vincenzo Camuccini and Jean-León Gérôme.
The project presented by the city addresses fundamental social themes, proposing culture in all its forms, and youth as fundamental tools.
Among innovation, experimentation, and empathy, the new designers share an idea of design as a process, and no longer just as a product.
The great car designer has passed away. We remember him with his famed interview with Domus: on that occasion he taleked about some of the most famous models he designed, starting with the legendary Lamborghini Countach.
Since 1983 Domus followed the story of a tower that, mixing historicisms, monumental traits, styles and references, from Louisville, Kentucky expressed all the tropes of American and international postmodern architecture.
Not far from Renzo Piano’s Fondation Beyeler, studio Wallimann Reichen valorized a domestic interior by redefining its layout, openings and balance of nuances.
Perhaps not everyone knows that the suite on the 25th floor of the tower houses a “domestic” art gallery, with a breathtaking view of the city.
La maison, la cui identità è legata indissolubilmente a quella della capitale, ha contribuito ai costi del restauro, che finirà a settembre. Ma niente paura: il monumento resterà visibile grazie a un cantiere aperto.
The towers aim to reinvent the idea of the classic itself, responding to the theme of sustainability and adapting to the Qatari climate.
Plan Común takes a stand to defend the right to quality housing and public space from the real estate (and value) commodification of the contemporary city.
Between megalithic pillars, abstract geometries, and water surfaces, the metaphysical space carved out of Vicenza stone extends the history of the Morseletto workshop.
Among many high-end films, Oppenheimer and Poor Things! won seven and four statuettes respectively.
The French designer conceived the liturgical furnishings seeking to preserve and enhance the impression of coherence and extraordinary continuity between the architecture and its site.
Conservator Anna Laganà leads Domus to discover a vital but little-known practice: the conservation of contemporary art, through the example of the 1973 transparent pink plastic giraffe.
Today’s Oscars award stories about houses – from Poor Things! to The Zone of Interest – and as early as eighty years ago, as Italy was reopening to the world, a future master of Italian cinema told Domus how “houses in cinema are to the characters as houses in life are to people”.
The “new town” built from scratch in New Mexico and depicted in the film Oppenheimer lays the ground for an economic and industrial policy that, amidst a few lights and many shadows, has changed history and transformed the physical and human geography of the American frontier territories.
In the Bavarian city, a moratorium on buildings over 100 meters in height has been in place since 2004. But a new project could challenge that paradigm.
The masterpiece of the great Venetian architect, built for the founder of Brionvega, could be one of the key locations in Villeneuve’s new film.
Jonathan Glazer’s new film is set in the upper-class home of Auschwitz commander Höss, only separated from the concentration camp by a wall. And it finds a new way of talking about the Holocaust.
The visual journey through the evolving worlds of the acclaimed Greek director – from the sterile, Mediterranean origins of Dogtooth to the art nouveau surrealism of Poor Things – unfolds through masterful manipulation of architecture, art, and design.
Serenissimo, designed with the collaboration of David Law, is also a tribute to the craftsmanship of Venice and the ancient technique of encaustic.
Organic suggestions and chiaroscuro effects in a new building establish a deep relationship with the landscape, emphasizing the dichotomy between light and shadow.